Bach , J. Trascritti dall' organo per orchestra, Universal Edition, Bach: Chorale Preludes, R. Roe, Bach: Oh, How Fleeting, J. Fischer and Bro. Bach, Editio Musica Budapest, A mood of ecstasy permeates this chorale prelude, a funeral hymn reflecting the theme of heavenly joy. The simple Schweitzer b describes its use by Bach as a motif of "beatific peace", commenting that "the melody of the hymn that speaks of the inevitability of death is thus enveloped in a motif that is lit up by the coming glory.
Below are the first and last two verses of the funeral hymn of Johann Georg Albinus with the English translation of Catherine Winkworth. The cantus firmus of this ornamental chorale prelude was written by Louis Bourgeois in The accompaniment in the two middle voices, often in parallel sixths, and the pedal is derived from the first four notes of the melody. The highly ornate ornamentation is rare amongst Bach's chorale preludes, the only comparable example being BWV from the Great Eighteen. The vocal ornamentation and portamento appoggiaturas of the melody are French in style.
Coloratura passages lead into the unadorned notes of the cantus firmus.erstwhile.jeamland.net/la-revolucin-de-los-delfines-inteligencia-emocional-para.php
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Williams describes this musical device, used also in BWV and BWV , as a means of conveying "a particular kind of touching, inexpressible expressiveness. Below are the first two verses of the hymn of Paul Eber with the English translation of Catherine Winkworth. Below is the first verse of the hymn of Adam Reissner with the English translation of Catherine Winkworth. Pure in style, this ornamental chorale prelude has been described as "a supplication in time of despair. The ornamented melody in crotchets quarter notes sings in the soprano above a flowing legato semiquaver 16th note accompaniment and gently pulsating repeated quavers eighth notes in the pedal continuo.
Such viol-like semiquaver figures in the middle voice already appeared as "imitatio violistica" in the Tabalutara nova of Samuel Scheidt. Below are the first and seventh verses of the hymn of Lazarus Spengler with an English translation by John Christian Jacobi. Below are the first and last two verses of the Lutheran catechism hymn of the George MacDonald.
Below is the first verse of Tobias Clausnitzer's hymn with the English translation of Catherine Winkworth. Below is the text of the three verses of the Easter hymn " Christ ist erstanden " with the English translation of Myles Coverdale. Below is the text of the hymn with the English translation of Benjamin Hall Kennedy. It has been taken by some commentators as a musical allusion to the words kreuze lange in the text: for Spitta the passage was "full of imagination and powerful feeling. The cantus firmus , composed in by Matthias Greitter and associated with Whitsuntide , was also later used with the same words for the closing chorale of the first part of the St Matthew Passion , taken from the version of the St John Passion.
Bach ornamented the simple melody, in twelve phrases reflecting the twelve lines of the opening verse, with an elaborate coloratura. It recalls but also goes beyond the ornamental chorale preludes of Buxtehude. The ornamentation, although employing coventional musical figures, is highly original and inventive. While the melody in the upper voice is hidden by coloratura over a wide range, the two inner voices are simple and imitative above the continuo-style bass.
Bach varies the texture and colouring of the accompaniment for each line of what is one of the longest melodies in the collection. Below is the text of the first and last verses of the Passiontide hymn with the English translation of Charles Sanford Terry. Below is the text of the first and last verse of the Passiontide hymn with the English translation of John Christian Jacobi.
Below is the first verse and refrain of the third verse of this version of the Agnus Dei with the English translation of Charles Sanford Terry. Below is the first verse and refrain of the third verse of this version of the Agnus Dei with the English translation of Catherine Winkworth. Below are the first and last verses of Tobias Kiel's hymn with the English translation of Catherine Winkworth. Below is the first verse of Martin Luther's version of the Nunc dimittis with the English translation of Catherine Winkworth. Lindemann wrote the text in , and Giovanni Giacomo Gastoldi supplied the melody in Below is the first verse of this hymn of Johann Lindemann with the English translation by Catherine Winkworth.
Below are the first and third verses of this hymn of Johannes Steurlein with the translation of Catherine Winkworth. Below are the first and third verses of the hymn of Caspar Fuger with the English translation of Catherine Winkworth. Below is the first verse of Martin Luther's hymn " Christum wir sollen loben schon " with the English translation of Charles Kinchen. Below are the first two verses of Johann Frank's hymn with the English translation by Catherine Winkworth.
Below are the first and last verses of Nikolaus Herman 's Christmas hymn with the English translation by Arthur Russell. Below are the first and fourth verses of Martin Luther's Christmas hymn with the English translation of Catherine Winkworth. Below are the first, second and last verses of the Christmas hymn by Martin Luther with the English translation of Catherine Winkworth. Below is the first verse of Martin Luther's version " Gelobet seist du, Jesu Christ " of the traditional Christmas hymn Gratis nunc omnes reddamus , with the English translation of Myles Coverdale.
The cantus firmus for this chorale prelude originates in the Gregorian chant Conditor alme siderum. The accompaniment is composed of two motifs, both suspirans : one in the inner parts contains a joy motif; and the other, shared between all three lower parts, is formed of three semiquavers 16th notes and a longer note or just four semiquavers. In the pedal part this prominent descending motif has been taken to symbolise the "coming down of divine Majesty.
Albert Riemenschneider described the lower voices as creating "an atmosphere of dignified praise. Below are the first two verses of Michael Weisse's advent hymn with the English translation of John Gambold. According to the chronology of Stinson , this chorale prelude was probably the first to be entered by Bach in the autograph manuscript. Bach, however, goes beyond the previous models, creating a unique texture in the accompaniment which accelerates, particularly in the pedal, towards the cadences.
Already in the opening bar, as Williams points out, the subtlety of Bach's compositional skills are apparent. The alto part anticipates the pedal motif and, with it and the later dotted figure, echos the melody in the soprano. The same melody was used in the postprandial grace Herr Gott, nun sei gepreiset , the first verse of which is given below with the English translation of Charles Sanford Terry. This chorale prelude is a canon at the octave in the soprano and tenor voices, with the tenor entering one bar after the soprano.
The stops for the canonic parts were explicitly marked by Bach in the autograph score, with the high tenor part in the pedal, written at the pitch Bach intended and also within the compass of the Weimar organ. Bach left no indication that the manualiter parts were to be played on two keyboards: indeed, as Stinson points out, the autograph score brackets all the keyboard parts together; in addition technically at certain points the keyboard parts have to be shared between the two hands.
The accompaniment is a skillful and harmonious moto perpetuo in the alto and bass keyboard parts with flowing quavers eighth notes in the alto, derived from the first four quaver suspirans figure, played above a walking bass in detached crotchets quarter notes. The hymn was originally written in duple time but, to facilitate the canonic counterpoint, Bach adopted triple time with a minim beat, at half the speed of the bass. The bass accompaniment at first is derived directly from the melody; during the pauses in the soprano part, a second motif recurs.
The continuous accompaniment in quavers and crotchets is an example of the first of two types of joy motif described by Schweitzer b , used to convey "direct and naive joy. It is set to the same melody as Johann Roh's advent hymn Gottes Sohn ist kommen , the first verse of which is given here with the English translation of Catherine Winkworth. Below is the first of three verses of Johann Spannenberg's advent hymn with the translation in English of Charles Sanford Terry.
Although it has often been suggested that this opening advent chorale prelude resembles a French overture, in construction, with its texture of arpeggiated chords, it is more similar to the baroque keyboard preludes of German and French masters, such as Couperin. The accompanying motif in the lower three or sometimes four parts is derived from a suspirans in the melodic line, formed of a semiquaver 16th note rest—a "breath"—followed by three semiquavers and a longer fourth note.
Some commentators have seen this falling figure as representing a descent to earth, but it could equally well reflect a repetition of the words "Nun komm" in the text. The suspirans is made up of intervals of a rising second, a falling fourth following by yet another rising second. It is derived from the first line of the melody of the cantus firmus and often shared out freely between voices in the accompaniment.
The mystery of the coming of the Saviour is reflected by the somewhat hidden cantus firmus, over harmonies constantly reinventing themselves. It is less predictable and regular than other settings of the same hymn by Bach or predecessors like Buxtehude, only the second and third lines having any regularity.
The last line repeats the first but with the suspirans suppressed and the dotted rhythms of the bass replaced by a long pedal note, possibly reflecting the wonder described in the third and fourth lines of the first verse. Below is the first verse of Luther's advent hymn with the translation in English of George MacDonald. Funding for USA. Congress, E-Government Act of Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
Miracle of the Loaves and Fishes , early 16C Flemish stained glass. Fall of Adam , 16C stained glass from Steinfeld Abbey. Supper at Emmaus , early 16C German stained glass. Pentecost , Wildunger Altarpiece , Konrad von Soest. Pentecost , early 17C stained glass from Wettingen Abbey in Switzerland. Christ with angels, early 16C stained glass from Steinfeld Abbey. Resurrection , Albrecht Altdorfer. Resurrection , Wildungen Altarpiece , Konrad von Soest. Entombment of Christ , early 16C stained glass from Steinfeld Abbey. Man of Sorrows , early 16C stained glass from Steinfeld Abbey.
Twelve scenes from the life of Christ, 15C painting from Cologne. The Crucifixion , early 16C stained glass. Ecce Homo , mid 16th century stained glass panel from Germany. Lamb of God , 14C altar painting from Prague. Hugo van der Goes , Death of the Virgin. Adoration of the Magi , early 16C stained glass from Steinfeld Abbey. Adoration of the Christ Child, early 16C Germany stained glass panel.
Adoration of the Magi , Wildungen altarpiece of Konrad von Soest. Adoration of the Shepherds , Hugo van der Goes. Last page of In dulci jubilo from autograph manuscript. First page of In dulci jubilo from autograph manuscript. Annunciation to the shepherds , 15C book of hours , Mainz. Three angels, early 16C stained glass from Germany. The Nativity, Albrecht Altdorfer. The Nativity, Wildungen altarpiece of Konrad von Soest. The Annunciation , early 16C German stained glass roundel.
All rights reserved. Flag as Inappropriate This article will be permanently flagged as inappropriate and made unaccessible to everyone. Email this Article Email Address:. World Heritage Encyclopedia. A further step towards perfecting this form was taken by Bach when he made the contrapuntal elements in his music a means of reflecting certain emotional aspects of the words.
Pachelbel had not attempted this; he lacked the fervid feeling which would have enabled him thus to enter into his subject. And it is entering into it, and not a mere depicting of it. For, once more be it said, in every vital movement of the world external to us we behold the image of a movement within us; and every such image must react upon us to produce the corresponding emotion in that inner world of feeling.
Here Bach has realised the ideal of the chorale prelude. The method is the most simple imaginable and at the same time the most perfect. Simply by the precision and the characteristic quality of each line of the contrapuntal motive he expresses all that has to be said, and so makes clear the relation of the music to the text whose title it bears. Johann Nepomuk Schelble , piano duet. Adolph Bernhard Marx , piano.
Ferruccio Busoni , piano. Max Reger , piano. Leopold Stokowski , orchestra. Arrangements of several of the chorale preludes for the Philadelphia Orchestra , — Walter Rummel , piano. Vittorio Gui , orchestra. Due corale di J. Johann Sebastian Bach: organ choral preludes arranged for strings, Patterson's Publications, William Murdoch , piano. Johann Sebastian Bach: organ choral preludes arranged for pianoforte, Schott , Marco Enrico Bossi , violin or viola and organ. Arthur Bliss , piano. Bach, Oxford University Press , Herbert Howells , piano. The spine along with the back cover shows signs of use but the music is completely intact with only a few annotations in the margins on several of the pieces.
So Please email me with your zip code or state before buying this item to calculate the lowest fees for you. For Canada- it depends on your postal code. So please email me with your postal code before buying this item to calculate the lowest fees for you. For worldwide- depends on your country code. So please email me with your country before buying this to calculate the lowest fees for you.
I'll be happy to send more pictures to you By Johann Sebastian Bach. Small amount of pencil marks. But may take longer. If expedited mail is desired, please inquire for rate. No local pick-ups. Payment to be made with PayPal. Payment to be received within 5 days of close of auction. Organ Sheet Music - Praeludium by J. Bach - Pipe Church Organist Vintage. From the"Pipe Organ Compositions and Arrangements" series, this is the sheet music for only"Praeludium. Small tears along edges. Faris France. Euvres completes pour Orgue I noted above the conditon of the book.
Free Media Mail shipping to you. Sometimes, the wrinkling or minor damage can occur during our handling from place to place or what have you, but again, we strive to keep it real and keep the prices Please be sure to check my other listings for a whole lot more! Many items you will find are one-of-a-kind. If you don't see something you need. Just ask, as I have more than 20, items in my inventory! US Shipping. Australia,NZ International Shipping. Power Biggs Publisher: H.
Publisher: H. Organ Music By J. Powered by The free listing Six Organ Chorals Schubler For Organ By Bach Edited by Albert Riemenschneider The Schubler collection contains arrangements of arias or duets with obbligato instrumental parts which had already appeared in his cantatas. Riemenschneider has provided several pages of information about the works.
It has been used and has some binding issues at the bottom of the book. It holds together fine. But I just want to make sure you are happy with your purchase. Feel free to email me with questions. I am selling many song books tonight and I love to combine shipping. Thanks for bidding. Organ Works. Volume 5 By Bach This volume contains organ work based on choral melodies. There are 56 choral preludes as well as choral variations.
The titles are printed in German. There is also a 24 page preface by Albert Riemenschneider with an English translation. Herr BWV. Fantasias, choral preludes, trios, miscellaneous pieces. C major 2. D minor 3. E minor 4. F major 5. G minor 6. G minor 7. A minor 8. How empty!
The son of God I will be happy to combine shipping for items purchased in. The editor. Karl Straube, has provided an extensive preface printed in English, German, French There is also a 24 page preface by Albert Riemenschneider. In addition to the music. There are several pages of information printed in English, French, German from the editor, Karl Straube. There is also a 24 page preface by Albert Riemenschneider. Organ Sheet Music Book J. IV Charles-Marie Wider. Albert Schweitzer. Organ works. Preluges and Fugues of true Mature Master-Period.
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Volume IV. Part 2. Light wear to cover. The first 6 pages have a crease in the lower corner. The pages are all clean. From a smoke-free home. Please check my feedback rating and bid with complete confidence. Thanks for looking and good luck bidding! Corrected, edited, annotated by Albert Riemenschneider Probably no music publication in existence today has enjoyed so long a period of continued popularity and usefulness as this book.
In the field of harmony. This collection has guided students and artists alike for over years. During that time it has undergone only slight alteration. Contents: General preface to the Chorales Index of the chorales according to Page Music: The Chorales The 69 Chorale melodies Commentary on the The Chorale harmonizations Index of the Chorales according to number Abbreviations used in the ensuing notes Notes on the Chorales Commentary on the 69 The 69 Chorale melodies with figured bass Index of the 69 chorale melodies according to number All pages clean.
Sticker damage on front cover. Posted with. They have provided 5 pages of performance information. BACH 1st Ed. Yale University Press Organ chorales from the Neumeister collection. In excellent condition. Minimal wear. Please see my other listings! Shipping for this item will be FREE to the lower Winner should contact me within 48 hours of auctions end with payment details if immediate payment is not made.
Payment must be received within 7 days or item will be re-listed and non paying bidder will be filed. How I do business I ship items multiple times weekly. If an auction ends on Sunday night and you pay immediately. Your item will likely go out Monday or Tuesday.
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But buyers should be aware that there are inherent risks in shipping old electronics across the country. I pack my items very well. And am in no way responsible In fair condition as you can see tape on the cover and some minor notations inside. Owners name may be written on cover as well as original price. No reserve. But buyers should be aware that there are inherent And am in no way responsible for any damage that occurs between packing and receiving.
Paris Bornemann Organ J. In good condition as you can see. A minor tear top center of cover.
Otherwise very nice. Clean inside as well. But buyers should be aware that there are inherent risks in shipping old electronics Some wear to cover. I pack Church Organ Music. Row Music. Funeral service music for organs. Edited by Russell Hancock Miles. My guess would be from the fifties or sixties. Very good usable condition. See pics. Priority or media shipping. Pay pal only please. Volume XII It would be hard to find a music book as clean as this one.
You are bidding on the Music book pictured above. It is a copyright Organ Music Book. The pages are slightly yellowed with age, The cover on this soft bound booklet is taped at the spine and the cover slightly torn. The pages are intact. There are notations written on pages and a name and writing on the front cover. Please check out all of the photos because this is the item you are bidding on. If you have any doubt. Ask questions before you bid. I came across a large collection of Vintage Music books for Organ and Piano and other instruments. Please check out my other listings.
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I will combine ship when possible. For a discount please request a total on an invoice or wait for an invoice before payment if you purchase more than one item. Item is used. In very good condition, small pen mark at bottom of front cover. Click Here. Double your traffic. More from ennairam Collectible antique. Check back often Check out my other items!
Please Note: This wonderful item has been previously owned and is listed as used unless specifically listed as new. Please look at the photo s carefully as vintage items. Especially paper items rarely are in mint condition. Please expect normal wear due to age and handling. I've run out of storage room! Time to downsize. Paper items are shipped in sturdy cardboard stay-flat mailers or padded mailers as First Class or Media Mail depending on the item and its weight All items wrapped well.
Bach My Heart Ever Faithful arr. Brown published by Edwin Ashdown. There are no additional discounts to combine orders, because there is no shipping cost to combine! This may make things a lot easier for you, my dear customers, and hopefully for us all in the long term. The price you see is the final price. All international rates are listed below, and still apply. Sometimes, the wrinkling or minor damage can occur during our handling from place to place or what have you, but again, we strive to keep it real and keep the prices reflective of any possible cosmetic imperfections.
If you have any questions. Please feel free to drop me a line. If you don't see something you need, just ask, as I have more than 20, items in my inventory! Payment, Send payments pay. This new change Payment, Send payments payable to:. With two trumpet parts Vintage pre-owned piece in excellent condition Organ12 The winds of change are upon us. This new change applies ONLY Bach Organ Album Pipe. This may make things a lot easier for you, my dear customers, and hopefully If you don't see something you need, just ask, as I have more than 20, items in my inve.
Saint Cecilia Series. Organ Compositions. Arr by Claude Means No. Gray Co. Payment, Send payments payable to. For your consideration: Overall. This lot is in VG condition. A few covers have mild wear but nothing at all major; one has the name of a previous owner written on it in pen. There are no torn or loose pages. The music is unmarked a few light pencil markings were erased here and there In alphabetical order by composer or arranger: 1.
Jauchzet Gott in allen Landen" 2. Leon Boellmann. From Bizet's opera Carmen 4. William M. I written on two staves 6. Henry Purcell. Number ten 7. Gardner Read. Nelson Varon arranger THE Feel free to ask and I'll respond as quickly and as accurately as possible. I'm always happy to combine shipping. Thanks for looking at this listing and if you decide to bid. Good luck! V Preludes, fugues, fantasies. This useful edition is in very good vintage condition.
With no damage and only a few pencil marks. This useful collection is in good vintage condition with little wear and few markings.
Bach Organ arr by Virgil Fox. It has no pencil markings and is in amazing condition. Bach Organ arr by Gwilym Beechey. Lord Jesus Christ" by J. It has some pencil markings. Vintage J. This piece has 3 scored pages and is from a smoker free home. Registration is for pipe organ and Hammond organ.
Christe, du Lamm Gottes (O Christ, Thou Lamb of God), No. 21 (from "Das Orgelbuchlein"), BWV619
In good condition. This was copyright Bach, ed. Forty-five Organ Chorales. Edited by Albert Riemenschneider. Oliver Ditson Company. Cover in poor condition as see in photo. Remainder of book in good used condition- secure spine. Few marks. Please wait for updated invoice before paying. Thank you. No dust jacket. Der du bist Tag un Licht, oder: Wir danken dir. Collected, edited and annotated by Joseph Bonnet in 6 Volumes: Vol. Published by G. And please take a moment to view my other rare music listings on eBay and in my extensive store! Aidan19 1 3 Aidan2 1 Organ10 pre-owned The winds of change are upon us.
Many items you will fi. Purchased while in college in the 's but never used for study. Clean interior pages for both scores. Walter Emery 17 volumes! This auction is for scores of the complete organ works of Bach. This auction is for all 17 volumes of this famous British edition and includes the complete works: Preludes.
Volumes 13 and 14 are not here as they were withdrawn from print and replaced by volumes 18 and These books are in immaculate condition and look like new. They were used for study only not playing and have no markings in the scores. The only added marks are the previous owner's name on the cover of some volumes and the BWV numbers for each piece. Here's a chance to pick up ALL of this famous Bach edition for a fraction of the cost. You are bidding on a great vintage lot of 11 Organ Classical Music Books.
From Edition Peters and Schirmers Library. Edition Peters books are Haydn Schirmer's Library are Back and Mozart 2 each. May have writing on covers and inside from previous owner. See photos. Will be well packed for shipping.
Related Christe, du Lamm Gottes (O Christ, Thou Lamb of God), No. 21 (from Das Orgelbüchlein), BWV619
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